The military dictatorship hallmark was the application of “the death flights”. This was part of the Argentinean version of the “Final Solution”. They consisted in first numbing the prisoners of every clandestine detention centre, and then throwing them from military aircrafts to the ocean.
In this context, the plot of the film revolves around the story of María, a young literacy educator and political activist. Due to some financial difficulties, her family has started to rent their household rooms. Among some of their tenants, we can find Félix: a shy young man, who is in love with María. He seems not to have neither a family nor a past, and works as a watchman in a parking lot. Felix and María will not be strangers to the context in which their lives unfold.
To document what many people suffered during the last Argentinian military dictatorship through a reference case from an acquaintance of Enrique Piñeyro.
The movie turned into a referent of the topic; an icon of protests and riots related to it.
- Dominique Sanda
- Chiara Caselli
- Antonella Costa
- Carlos Echevarría
- Enrique Piñeyro
- Pablo Razuk
- Director: Marco Bechis
- Executive Production: Daniel Burman – Diego Dubcovsky
- Script: Marco Bechis y Lara Fremder
- Photography: Ramiro Civita
- Montage: Iacopo Quadri
- Costume Design: Caterina Giargia
- Original Music: Jacques Lederlin
- Stage Design: Rómulo Abad with Jorge Sarudiansky
- Assistant Director: Emiliano Torres.
- Photography in Los Angeles. 2nd unit (EEUU): Stan McClain.
- International Cannes Film Festival. Official selection “Un Certain Regard” (1999).
- Film Festival of Cartagena, Colombia (1999): Gran Coral Award to Best Film (1999).
- El Nuevo Cine Latinoamericano De La Habana XXI International Festival, Cuba (1999). Coral Award to Best Film and Cuban Critics
- Iberoamerican Cinema Festival of Huelva to Best Film, Best Director (1999).
- Award by International Critics (1999).
- Thessaloniki Film Festival, Greece (1999).
- Silver “Alejandro Magno” Award.
- FIPRESCI Award.
- Premio “Alejandro Magno” de Plata,Premio FIPRESCI
Amedeo Pagani | Eric Heumann | Aquafilms (in credits as Nisarga) | (P) 1999